Choreographic Workshop
in partnership with artÉmotion
June 15 - July 17, 2026
Salt Lake City, Utah
Dancers ages 16-20
Acceptance by audition or special invitation
artÉmotion Artistic Directors, Allison DeBona and Rex Tilton direct a “Company Experience” for pre-professional dancers June 15-July 17, 2026. Dancers will spend the first three weeks as students in the Ballet West Summer Intensive, and spend the final two weeks with artÉmotion.
Participants take part in a world premiere performance in Utah on July 16 & 17, 2026. All dancers in the Choreographic Workshop will be considered by Ballet West Director, Adam Sklute, and Ballet West Academy Director, Evelyn Cisneros-Legate, to join Ballet West Academy as a Trainee or Professional Training Division dancer for the 2026-2027 season.
artÉmotion is under the artistic direction of Allison DeBona and Rex Tilton. Allison DeBona retired a First Soloist with Ballet West in April 2022 and is the current Principal of Ballet West Academy’s Peggy Bergmann Park City Campus. Rex Tilton is Artistic Director of artÉmotion and faculty at the Ballet West Academy Park City Campus.
2026 Choreographers
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American born choreographer Garrett Smith has established international recognition for his choreographic works. He has created and staged his choreography for some of the most elite dance companies in the world today including Teatro Alla Scala, The Mariinsky Ballet, The Bolshoi Ballet, Les Grands Ballet Canadiens, New York City Ballet, Norwegian National Ballet, Houston Ballet, National Ballet de Bordeux, amongst many others.
Smith’s choreography is recognized as intuitive and exciting from his creative staging and full visionary approach. Human identity and self reflection are a common theme that can be discovered within a range of Smith’s work.
Originally from Salt Lake City, Utah where he began his formal training. Garrett was named a Presidential Scholar in the Arts where he was presented with and award by Mikhail Baryshnikov and honored to meet George W. Bush at the White House. Smith got his start as a choreographer with Houston Ballet Academy, creating five works for the second company. Smith joined Houston Ballet as a professional dancer, where he became a 2 time award recipient of the New York Choreographic Institute Fellowship. Smith later joined The Norwegian National Ballet and worked closely with important leading choreographers of our time.
Garrett has presented his choreography in prestigious festivals and theaters such as The Kennedy Center Washington D.C., The Ziegfeld Theater NYC, Dance Salad Festival Houston, Dynamo Stadium Moscow, and the 100 year anniversary of Festival de L’Art Russe in Deauville France. Beyond Opera Houses, Smith’s choreography has also been seen on television in the original Netflix series “Tiny Pretty Things”
Garrett is currently resident choreographer for Vitacca Ballet. His recent creation for the company “Hypnotic Forces” was selected by Pointe Magazine as one of the 12 standout performances of 2023.
Smith has been invited onto different panels serving as a mentor and adjudicator for Youth American Grand Prix, Universal Ballet Competition, and New York City Dance Alliance. His knowledge and experience has stretched the globe hosting dance workshops in India, Mexico, Switzerland, Italy, Hungary, USA, Norway, and the United Kingdom.Garrett continues to build captivating creations with his main approach in drawing inspiration from the artist in front of him, building tailor made movements that play to the artists strengths, and highlighting the best within the individual.
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Phil Chan is the co-founder of Final Bow for Yellowface and President of the Gold Standard Arts Foundation. A graduate of Carleton College and an alumnus of the Ailey School, he has held fellowships with Dance/USA, Drexel University, Jacob’s Pillow, Harvard University, the Manhattan School of Music, the New York Public Library for the Performing Arts, NYU, and the Institut National d'Histoire de l'Art in Paris.
As a writer, he is the author of Final Bow for Yellowface: Dancing between Intention and Impact and Banishing Orientalism. He has also served as Executive Editor of FLATT Magazine and contributed to Dance Europe Magazine, Dance Magazine, Dance Australia, and Huffington Post. He currently serves on the Advisory Board of Dance Magazine.
Chan has served on grant and award panels including the National Endowment for the Arts dance panel, the Jadin Wong Award (Asian American Arts Alliance), and the Dance Data Project advisory council.
His recent projects include directing Madama Butterfly for Boston Lyric Opera (named “Best of 2023” by The Washington Post, Boston Globe, and Broadway World); staging a reimagined La Bayadère for Indiana University; and producing the 10,000 Dreams: Asian Choreography Festivals (named “Best of 2024” by Minneapolis Star Tribune, Utah Review, and Pointe Magazine). His choreography is in the repertory of Ballet West and Oakland Ballet, where he serves as Resident Choreographer.
He was honored with the 2024 Dance Advocate Award from Dance/NYC and named a “Next 50 Arts Leader” by the Kennedy Center. He is currently a professor at Harvard University.
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Ingrid Silva, born in Rio de Janeiro, trained in classical ballet and danced with Deborah Colker and Grupo Corpo, before moving to New York to join the Dance Theatre of Harlem, where she is now a principal dancer. Throughout her career, she has worked with renowned choreographers, performed in major theaters worldwide, and
served as a U.S. cultural ambassador. Ingrid gained global recognition as the first Black ballerina to have pointe shoes customized to her skin tone, with a pair exhibited at the Smithsonian National Museum of African American History and Culture. Beyond dance, Ingrid is a dedicated activist. She founded PodHer, a platform supporting women’s empowerment, and co-founded Blacks in Ballet and Dancers and Motherhood, advocating for diversity and inclusivity in dance. Featured in major media and brand campaigns, she authored the bestseller The Pointe Shoes That Changed My World and was named among Forbes Brazil’s 20 Successful Women. Blacks in Ballet was founded with the mission to promote diversity within the global dance community. Through cultural exchanges and educational resources, the organization creates opportunities for dancers of color, with the goal of celebrating, elevating, and showcasing the beauty and artistry of Black bodies in dance.
Artistic Leadership & Academy Faculty
Past Choreographers
Summer Intensive Pricing
2026 Tuition
$3800
June 16 - July 18, 2025
To secure enrollment, a deposit of $500.00 must be made within two weeks of acceptance. Deposits are non-refundable under any circumstance.
2025 Optional Housing & Food Plan
$3400
Available for students 16-20
Provided by Westminster University
Food Plan includes Breakfast, Lunch, and Dinner
Move-in date is one day prior to the start of the intensive. Move-out date is one day after the conclusion of the intensive.
To secure housing, a deposit of $250.00 must be made upon enrollment. Deposits are non-refundable under any circumstance.
Please note the number of accepted applicants surpasses the number of places available for programs and housing. Registration is on a first-come, first-serve basis.
Full tuition and housing (if applicable) payments are due by May 1, 2026. If we do not receive a drop request, your card on file will be charged and late fees will be processed after Monday, May 1, 2025.
All students registered to attend Ballet West Academy’s Salt Lake City Summer Intensive are required to complete a Physician’s Statement of Good Health and all Liability Waivers. Forms will be emailed with acceptance letters.
COVID-19 protocol will align with state and county mandates.
In acknowledgement of those who serve our county, Ballet West Academy is thrilled to announce a military discount for our 2025 Summer Programs, including Summer Camps and Summer Intensives.
10% discount on the cost of tuition to dependents of active duty US military personnel, National Guard, and Reservists.
50% discount to Gold Star families.
In order to access the Military Discount, please send a copy of a DEERS card or most recent LES as proof of military status to academy@balletwest.org. This discount does not apply to the cost of the non-refundable deposit amount and is not applicable to housing expenses for summer programs.
Summer Intensive Activities
We offer a well-rounded experience for our students not only in the studios, but also outside of the studios. Dancers will have the opportunity to join us at social events, as well as workshops to promote professional development. Past events include:
Lagoon Amusement Park
Karaoke Night
Mountain Hike
Ballet West Prom
Baseball Game
Utah’s Hogle Zoo
4th of July Field Day
Frequently Asked Questions
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Students are highly encouraged to attend the 5-Week Program, whenever possible. Dancers will have more opportunities to work with Ballet West Artistic Staff and Principal Faculty of the Ballet West Academy, when attending all five weeks. The repetition and the rapport dancers can develop working with our faculty over a longer period of time will encourage greater progress throughout the summer. It will also provide additional consideration for year-round programming within the Ballet West Academy.
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Every level has the same number of instructional hours throughout the course of the program. Classes are offered 6 days a week, Monday thru Saturday. All levels have a two hour technique class, a one hour additional ballet class (such as pointe, men’s technique, pas de deux, variations, or repertoire) and a one hour class of a different dance genre (jazz, modern, contemporary, character, flamenco, Irish) each day. In addition, every level has a cross training class (such as Pilates, yoga, conditioning, or a seminar) each day. Within these instructional hours the program is tailored to the needs and developmental progress of each group. For example, a dancer in Level 1 who is 13 and has danced en pointe for 1 or 2 years will work on a beginning variation. Whereas, a dancer who is 18, is in Level 5 and ready to launch to a professional career, would work on a more advanced variation. Seminars and workshops are also designed with the learning needs of each level in mind. Younger dancers may have seminars relating to care of pointe shoes, dance history or growth mindset; while upper levels may have seminars relating to career and college preparation. Every level works with a variety of the guest faculty and Ballet West’s Principal faculty.
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Yes. All levels will have an opportunity to participate in pas de deux. The two men’s levels will rotate thru the ladies levels over course of the summer, to ensure developmentally appropriate instruction. Pas de deux classes are not offered at St. George or YDSI.
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Because each individual dancer develops at their own pace, many of our levels overlap in age range. Dancers are grouped by a general age range to facilitate a cohesive class, however, a balance of age and ability is always considered when creating placements.
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We believe a strong foundation is important to a successful future for our dancers. Levels 1 and 2 accommodate students of a similar age, while enabling each level to progress and build strength. Dancers who are placed in Level 2 may have more experience dancing en pointe or may have trained intensively previously.
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Summer intensive auditions may occur up to 5 months before the start of the program. Dancers can change tremendously during this time. For example, young dancers may progress from a beginning to an intermediate pointe level. Some dancers may increase the amount or intensity of training. In addition, some dancers may reduce their training due to injury or other unforeseen circumstances. For these reasons, our faculty re-evaluates all students during the first few classes of the program to ensure that every student is receiving the instruction that is appropriate for their current level. Because the program is just a few weeks long, instructors make level adjustments as early in the program as possible.
In general, the faculty tries to avoid moving students ‘down’ a level, unless there is a risk of injury. Most often students remain in the level in which they were placed during the audition process, and occasionally students are moved up a level when re-evaluated.
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The level placement is made by the faculty, not by students or parents. We appreciate when dancers can respect and understand the professional opinion of the faculty and work their hardest in the level deemed appropriate. The faculty invites parents to partner with us in encouraging students to strive to reach their individual potential, instead of comparing themselves to peers.
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Within each level, dancers are divided into groups so that every class has an appropriate number of students for the space in which they will dance. For example, a level may be divided into groups such as 1A and 1B - so that dancers receive individualized attention in class. There is no difference in placement between these groups- all students of the same level receive training aligned with the curriculum for that level. Students follow the schedule of their group as designated by the faculty.
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Please direct summer intensive audition and program-specific questions to Summer Intensive Coordinator, Jordan DeBona, at summerintensive@balletwest.org or by phone at 801-869-6966.